Tuesday, July 24, 2007

Once a secret, always a secret?

When is a government secret no longer a secret? Generally, when it shows up at the National Archives, that's one pretty good clue.

Then again, maybe not. In a program that predates the secretive Bush administration, the nation's intelligence agencies have been taking thousands of declassified documents out of the archives, essentially making them secrets again.

Hadn't heard about that? That's because the program itself is a secret.

According to a story in The New York Times, the push to pull documents is a backlash -- stronger since 9/11 -- against a Clinton-era executive order that made it harder to keep secrets more than 25 years old.

Read more

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Saturday, July 21, 2007

She hates that!

You think you have the moves? Well, hotshot, we'll bet at least half the things you're doing in the bedroom really do drive her crazy--and not in a good way. We sent the MF Sex Squad to the streets of New York to poll 1,000 women. Their mission: to find out the ladies' biggest pet peeves under the sheets. Here are the top 10 responses.

she hates it when …

1. You only perform fast, jackhammer-type sex.

Why: "It feels more like you are trying to puncture a lung than give me an orgasm," says Liz, 21. "That just makes me numb--varying your rhythm keeps it interesting"

2. You stick your tongue inside her ear.

Why: "It's like getting hit on the side of the head with a big wave," says Ashley, 19. "Or a large, wet jellyfish."

3. You think just inserting your fingers into her vagina is enough to get her off.

Why: Penetration alone won't do. "You can't just go in and feel your way around," says Jen, 27. "You've got to have a plan of action."

4. You vigorously tweak her nipples.

Why: Pinching with varying degrees of pressure depending on her cues? Good. Sadistic, 180-degree turns? Not so much. "You think it feels good?" challenges Deanna, 29. "Let me do it to you and see how you feel about it."

5. You lick her belly button.

Why: "It stays wet in there a long time and ends up feeling sticky," says Julie, 23. You want to use your tongue? Head south.

6. You talk dirty to her--in a derogatory way.

Why: Some girls get off on it--but not all. "Being called a dirty whore doesn't turn me on," says Katie, 32. "It just pisses me off."

7. You hit any part of her body with your erect penis.

Why: "It just makes me want to slap it back," says Trina, 20.

8. You switch it up too much during oral sex.

Why: "Variety is good," says Eva, 30. "But once you've hit the spot and I'm enjoying myself, stay with it. I don't want you to move on to something new."

9. You excitedly suggest she try something you've seen in a porn film--because, after all, the girl was having so much fun.

Why: "She gets paid to do that," says April, 24. "We don't."

10. You put your hand on the back of her head when she's giving you oral sex.

Why: "That is way too controlling," says Karen, 26. "And it makes it seem like we're only there to please you and do your bidding."

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Friday, June 29, 2007

Ginny's Song

HANK HAD BEEN HOME SIX weeks before he picked up his violin, and it was another ten days before he did anything but hold it. After three years, it felt comforting just to curl his fingers around it, like a child with a teddy bear. When he put the violin in his lap, he felt he could return to his boyhood, with Mr. Luckley scowling and saying, "Are you playing that instrument or strangling it? Start over, start over!"

Maybe that was why it took him so long to raise the instrument to his chin, why he spent nearly two months playing the war hero to the delight of his parents and little brothers while he felt like a hypocrite inside. He'd hurt his knee in boot camp and been declared unfit for combat, had been shuttled from one menial job to another, and eventually been shipped overseas as an aide. He'd survived bombings and the shrill fear of air raids, but that was hardly hero stuff in his opinion. His family begged to differ, so he humored them, smiling emptily and waiting to escape.

He took long walks around the neighborhood at dusk. His family had moved in June of '42, right after he'd graduated from high school and shortly before he'd joined the army, so he wasn't overly familiar with his surroundings. There was always the possibility that he might become lost, and every night when he arrived home, he felt a little disappointed.

The walks were only a physical escape, though. He knew that music would be a more satisfying one. So he plucked up the courage his family had been falsely heralding for weeks and tuned the violin, then picked up the bow. The instrument felt heavy, and he could hear Mr. Luckley again. "Gently, Henry. Don't squeeze it. Treat your violin as you would a woman. Would you squeeze a woman?"

He'd been thirteen then and could remember blushing and directing a fierce hatred toward his teacher for the rest of the lesson. Now, eight years later, he managed a shaky grin as he loosened his grip and began to play.

His playing sounded heavy and awkward, but he persisted, hoping his ineptness would shake off like a coat of rust and he would find the pure, sweet music of his memory. He could hardly expect to be good after all this time and he attempted to scold himself for not hunting down a secondhand violin while he was in the army, and keeping in practice. He knew, though, that he could never have played real music there; the fear and the tension wouldn't have allowed for it. Besides, it had felt almost good to deny himself, a reminder that he was fighting a war even if he wasn't on the battlefield.

Of course things were different now. He was home, and the violin became part of his nightly routine. After a few weeks the bow felt natural in his hand, and the music no longer jarred him. He dug out some battered sheet music and managed to play a Bach piece that made him feel eleven years old again with Mr. Luckley standing imposingly beside him. Night after night he worked his way through the sheet music, rarely hitting a sour note, picking up speed. Yet always the music lacked a soul, and whenever he tried to escape the confines of the black-and-white pages and delve into his own compositions, the notes fell and shattered like glass.

Hank could hear Mr. Luckley in his ear--"You're not feeling the music, Henry"--and he wholeheartedly agreed with the specter of his old teacher, but he couldn't recapture the joy that used to hug him every time he picked up his violin. He couldn't even say where he'd lost it, whether he'd forgotten it in the old house, or had buried it overseas, or whether it had run away when he came back to seize it.

So he went looking for it, taking the bus back to his hometown one Saturday. He stood in front of his former house, expecting to feel a rush of memories, but he felt only drained. He went up the path of the house next-door instead, the Cookes' house, and though he hadn't thought of Ginny Cooke in a while, he suddenly felt eager to see her, to hear her contagious, musical laughter.

He hadn't even made it up the steps when a dour woman with a baby and two squabbling children came out, slamming the door behind them. "Whatever it is you're selling, I'm not interested," the woman said without looking at him, herding the children into the car.

Hank backed away, frowning. His hunger to see Ginny had increased in the moments since the idea first entered his head. Though he couldn't explain why, he felt certain there was a connection between his old neighbor and his music; if he could find her, he could recapture the magic in his violin. He leaned against the maple tree that bordered their old properties and remembered the one time he had played for Ginny. He'd said it was a birthday gift for her--she'd just turned sixteen--but he doubted she had appreciated it; Ginny wasn't the type to listen passively to anything. It had instead been a gift to himself. Watching her in the autumn twilight had inspired him, and he was sure he'd never played better than that evening.

They'd never spoken of it afterward. He could remember how badly he'd wanted to ask her if she'd liked it as they walked to school the next morning, but though he had never been shy, he'd been unwilling to speak then unless she said something first. She never had. He got the feeling that she, too, wanted to say something but could not, though maybe that was wishful thinking on his part. Still, surely it was strange that she hadn't said anything. Ginny was always talking--why hadn't she given him one of her careless thank yous, or teased him about his "fiddle friend," as she always did when he had to go practice?

As a teenager, the feeling of that evening and his wondering over their dual silence afterward had faded quickly into the monotony of chores and football games and geography tests. Ginny had gone back to being just Ginny. So why did he now feel so consumed by that one autumn evening? He wrapped his arms around the tree trunk, as though it had absorbed the long-ago song and might give it back to him. He couldn't recall even the melody, but he was sure that if Ginny were sitting under the tree again right now, weaving yellow leaves into her dark hair and laughing at him, he could play that song in an instant. And this time they would talk about it afterward.

He let go of the tree, feeling foolish, and tromped to the next-door neighbors' house on the other side. He was relieved when a familiar face answered his knock. Old Mrs. Cowley stared blankly, then opened the screen so she could hug him. "Hank McLennan! Don't you look fine!"

"You look pretty fine yourself, Mrs. Cowley," he said with one of the most genuine smiles he'd worn in the past three years.

"Come in, come in. I just made gingersnaps. You always loved my gingersnaps. My, you've gotten tall."

He hadn't grown an inch since high school, but he didn't tell her that as he sat and took a gingersnap. Mrs. Cowley asked him about his family, and he told her everything she wanted to know without the least bit of impatience.

"I certainly miss you folks," Mrs. Cowley said, nudging the cookies closer to him. "The people next-door now keep to themselves, act like it grudges them to say hello. "Though I admit they're not as bad as the folks who moved into the Cookes' old house--they're downright rude."

"What became of the Cookes?" Hank asked, afraid to look at her in case she didn't know.

"Well, they moved away in, let me think… '43? You remember, Mr. Cooke worked in the Blackmoor office, the company that made those sewing machine parts. Mrs. Cooke always had the latest model; would've been the envy of the neighborhood if she hadn't been so sweet. Anyhow, Blackmoor started manufacturing something for the war--can't recall what--and Mr. Cooke got transferred to Hamilton. The whole family was upset, but there was nothing they could do but up and move."

Hank clung to the name of the city, Hamilton, for the rest of the visit and resisted the urge to rush there when he left Mrs. Cowley's. Instead he walked to the depot and sat on a bench for an hour, waiting for the next bus home. There was no one else he wanted to see here. He knew Mr. Luckley had died about a year ago, but even if the old man had been living, he wasn't sure he would have visited him. He doubted that Mr. Luckley would have understood his problem, or been sympathetic. He knew what his teacher would say.

"Don't be a fool, Henry. Either the music is in you, or it's not. You can't go looking for it like a lost mitten."

Mr. Luckley was usually right, too. But that didn't mean he had to listen.

He was being a fool, but he still tried to rationalize it to himself. After all, he needed a job. And he was twenty-one, an age when he ought to be on his own. So he ignored his brothers' protests, his father's unspoken questions, and the hurt look in his mother's eyes, and he got himself a room and a job in Hamilton.

The job wasn't much--night watchman at a factory--and neither was the room, a tiny, stuffy box in one of the city's poorest boardinghouses. He could have gotten the same job, or better, at home and lived with his family, but he was still happy as he rearranged his possessions in his new room, tucking his violin under the bed.

For a week he slept days and worked nights, feeling cheerful at the possibility that he might be living in the same city as Ginny. He knew he might never find her, so he put off searching, not wanting his good mood to dissipate.

Still, he couldn't delay forever, so one day he rose at noon and went to the Blackmoor building. After talking to one frenzied secretary who'd never heard of Mr. Cooke, he was directed to a second who said she thought Mr. Cooke had retired, though she wasn't sure. When he asked to speak with someone who might know for certain, the woman frowned and refused, saying everyone was too busy.

He left, shoulders squared, and went to the high school, figuring that freckle-faced little Carson Cooke must be about fifteen now. The high school, however, had no record of him. Hank was not deterred; Carson might go to private school, or boarding school, or be in the penitentiary for all he knew. There was no reason to believe the Cookes weren't still in Hamilton.

There was no reason to believe they were, either. He tried the telephone operator, but she couldn't find Mr. Cooke in her listings. Perhaps they didn't have a phone of their own or perhaps they lived outside of Hamilton. He asked in shops and doctors' offices, combed the newspapers, stayed alert wherever he went in hopes of seeing Ginny. He expanded his search to the surrounding towns, though he never tried their schools or telephone operators, unwilling to meet with more direct defeats. The indirect were bad enough; with every passing day he felt more dejected, and his violin sounded more mechanical. Once music had been constantly on his mind, a song weaving its way through his brain. Now Ginny consumed him, and he was aware only of the gnawing within himself. He ignored the girl at the boardinghouse who hinted for an invitation to the movies and he was glad that his job required routine and not brainpower. It gave him more time to think about finding Ginny.

But the more he thought, the more he was tempted to give up. Even if he found her, there was no telling what would happen. They had been friends once, good friends in a lighthearted, bantering way, but that was four years ago. He couldn't even admit to himself why he wanted to find her so badly, whether it was because he thought he could regain his music through her, or whether he was in love with his memory of her. The first reason seemed selfish, the second foolish, and all he knew was that he had to find her, that every time he thought of her, it was with a wisp of that long-forgotten song, just out of reach.

So he stayed on, though it became apparent that if he wanted to remain in his little room, the cheapest available, and subsist on something more than tea and crackers, he would need to increase his income. He could remember Mr. Luckley saying, in one of his rare generous moods, that perhaps Hank might earn a livelihood with his violin, and though he knew this wasn't what his old teacher had meant, he advertised himself as a beginning violin instructor.

He returned from another failed search for Ginny one day to find a message from his landlady. Someone had called for him on the telephone and would be coming the next day as a prospective pupil. Her name was Annie Redden, and Hank pictured a pigtailed ten-year-old, the only kind of pupil he thought he could handle right now.

So he was startled and dismayed to find that the person knocking on his door the next afternoon was neither pigtailed nor ten. Her hair was swept up in an old-fashioned pompadour, and though she barely came up to his elbow, she was at least eighteen, maybe twenty.

"You're Mr. McLennan? The violin teacher?"

"Hank," he corrected, alarmed at being called Mr. McLennan. A moment later he was sorry; perhaps it wasn't proper. The girl only nodded, unconcerned.

He realized he was still standing in the doorway like an idiot and he stepped aside to let her in while he tried to explain himself. "I was expecting someone younger. I'm only a violin teacher for beginners." He was careful to leave the door ajar; his landlady wasn't particular about callers, but he had the sudden urge not to be unseemly.

"Well, I'm only a beginner!" she said brightly. He fought down a frown, convinced she was some silly girl who wanted to learn songs like "Blitzkrieg Baby" and "GI Jive." She patted her violin case and beamed at him, and for a moment she did look ten. "I've been fooling around on this fiddle forever, but I didn't get it into my head to take lessons until I was fifteen, and as soon as I found a teacher, he joined the army. Violin teachers were just another shortage of the war, I guess."

"I guess," he agreed. "Can you play something for me, Miss-uh-Redden?"

"Annie. And I can, as long as you don't mind listening to my own crazy music. It's all I know."

Lovingly, she took out her violin, and Hank steeled himself for "crazy music." He was determined not to be a grouchy, scornful teacher of the Mr. Luckley variety.

He didn't get much opportunity to test his patience, however. After inwardly cringing at the unorthodox way she held her bow, he felt enchanted the moment she began to play. The notes seemed to pour out of her instrument like a waterfall, and he was drenched with the joy of all he had been missing since his own violin sang like that. At the same time, a curdled streak of jealousy ran through this joy, and he felt especially miffed when Annie stopped and put down her violin with an oblivious expression, apparently unaware of the gift she possessed.

"You've come to the wrong teacher," he said, trying to correct the gruffness in his voice midsentence. "You're no beginner."

"But I am, that's just the problem," Annie said with a sigh. "I know I play well—"

More than well."

"--but I don't even know what I'm playing. I want to be able to read music, to play other people's songs. And to write down my own. Can you teach me that?"

He admitted he could, and they agreed to meet every Tuesday afternoon.

He received one other answer to his ad, so two afternoons a week he gave up the search for Ginny and struggled along with his two pupils--for they were struggles, The second student, Gladys Heilmacher, age eight, spent her lessons glowering over her violin, the bow clenched in her chubby fist. She wouldn't relax despite his efforts to put her at ease, so he stopped trying and accepted her as punishment for whatever he had once put Mr. Luckley through. Gladys was conscientious if nothing else, and within a few weeks she could play a simple melody that plodded off the strings the way Gladys herself plodded. When the hour was over and Gladys left with her equally glowering, plodding mother, Hank always collapsed into a chair, feeling exhausted and hopeless.

Annie's lessons tended to end in exhaustion, too, but never hopelessness. Annie did not learn as quickly as Gladys did, but her music never plodded. Instead she seemed to fight against the notes, as well as against him, questioning everything he told her and resisting all suggestions until he got aggravated enough to raise his voice, at which point she would burst out laughing.

It took Annie longer to learn her scales than Gladys, and even then she was apt to let her bow wander off in the middle of them as she followed her own whim of a song.

"You're not trying," he noted. He was past the point of being exasperated and was instead amused.

Annie's blue eyes grew large innocent. "Oh, but I am!"

He raised his eyebrows.

"Well, I try to try, anyway. I want to learn properly, honest, but the music just … gets away from me. Surely you understand."

"My violin teacher was much less understanding than yours," was all he said, which made Annie laugh.

There was no Mrs. Heilmacher to come for Annie at the end of her lessons, and she often stayed for tea and whatever he'd gotten as a cheap day-old leftover from the nearby bakery. He hadn't realized how lonely he'd been until he had Annie as a friend. This wasn't like talking to the girl down the hall, who waylaid him with prattle about who was going to be on the radio tonight and the latest Spencer Tracy movie. This was real conversation, and he found himself talking about all sorts of things. Not everything, for sure, but he did tell her about looking for Ginny, although he didn't attempt to explain the complicated reasoning behind his search. He wasn't sure he understood that himself.

He liked listening to her better. Annie spent her days taking care of her aunt, a feeble, needy woman who wanted someone constantly close by. Annie could only come to lessons by paying her younger sister to stay at the aunt's house for the afternoon.

"It seems like a lot of trouble to go to," he told her. "Expensive trouble, too."

Annie raised her eyebrows. "You don't know my aunt. I'd take accordion lessons just to get out of that house once a week." But she laughed as she said it, the way she always did when she came close to complaining so he couldn't feel sorry for her.

"Besides, these lessons are an investment," she added. "Someday, when I'm good, I'm going to take my violin all over the country and fiddle for my supper."

"Oh, you're good enough for that now."

"You think?"

"Sure. Supper doesn't cost much. … "

She laughed again, as he'd known she would. Her laughter was as joyous as her music.

Tuesday afternoons with Annie became the bright spot of his week. They made up for Gladys's dull lessons, and they got him through the five futile days of looking for Ginny. Sometimes he would forget that Annie wasn't beside him on those days, and he would turn with some humorous observation only to find himself alone.

Mostly, though, his mind was on Ginny. As the weeks passed, he became convinced that the Cookes weren't in Hamilton, yet he couldn't stop looking. It was a compulsion; if he admitted defeat, he was sure something inside him would crumble away; irretrievably lost.

So he kept looking, dreaming up new scenarios of what had become of her, none of them particularly happy. Probably she was married. Ginny was the type to marry young--not a flirt, but one of those teasing, easy-to-talk-to girls that all the boys love. He could picture her bossing around a husband, a baby on her hip. He didn't like to think of her being married, but it didn't deter him from wanting to find her.

Once he imagined that he found her, but she didn't remember him. That thought was thoroughly depressing, and it took a while to convince himself that Ginny Cooke would never forget a lifelong friend after only four years. Probably she had forgotten the time he'd played the violin for her, but that didn't matter. As long as she would give him a smile of recognition, or maybe a hug, and say, "Hank!" he'd be satisfied.

"Why?" Annie asked when he expressed this sentiment to her.

"Why what?"

"Why would you be satisfied?" She frowned. "If I were looking for my long-lost love, I'd hardly be satisfied if all he did was smile at me. And I'd be downright upset if it turned out he was married."

"I never said she was my long-lost love," he pointed out.

"Well, isn't she?" When he didn't say anything, Annie continued. "Why else would you look for her all this time?"

He didn't mention Ginny to Annie after that. He told her funny stories about himself as a kid, and he talked about his brothers, and he mimicked Gladys's stodgy ways until Annie howled with laughter. Once he talked about the war, about the constant knot of fear in his stomach and how he felt like a coward for being so scared when so many others had it worse. She listened to him in a way that seemed tangible, like a hand to squeeze, and though he thought he'd regret telling her these things, he never did. He didn't talk about Ginny, though, and he didn't talk about music.

Annie's lessons went on for four months without her making any progress in learning to read music, and then, in a few weeks, everything came together for her. She mastered the skill as though she'd always known it and only needed to be refreshed. Annie was delighted by her sudden progress but didn't seem to find it unusual; Hank was amazed for both of them.

Hank was also the one who gave her the push he knew she needed. As they sat down to tea after a lesson in which she had dazzled, he gave her the card.

"What's this?"

"Your new teacher." He had noticed the DuBois Conservatory on his daily walks around Hamilton, and last week he had forced himself to go in, to meet with the teachers and interview them as carefully as though he'd been picking an instructor for himself. The man he'd chosen reminded him a little of Mr. Luckley, if Mr. Luckley had been short, and British, and smiling.

He knew he would miss Annie, both having her as a pupil and having tea with her on Tuesday afternoons, but he shut these thoughts away. He was surprised to see the expression on Annie's face, as though she were angry with him, or going to cry.

"You're not a beginner anymore," he said gently. "I've got nothing left to teach you."

"All right," Annie said quietly, and sipped her tea. Hank watched her and thought of his own last lesson with Mr. Luckley. He had been fourteen, the Depression was dragging on, and his parents had no money for violin lessons. He remembered the ugly taste in his mouth all through that last lesson, while he tried to pretend he didn't care and his violin wept for him.

At the end of the lesson Mr. Luckley was as forbearing and ferocious-looking as usual, even as he said, "Well, Henry, you were not my most talented pupil, but I think you had the most heart."

He wanted to cry, or say thank you, but being fourteen he did neither.

Mr. Luckley continued. "I would teach you for free, you know. But I'm not making that offer. You don't need me anymore. It's time for you to become your own musician." He put a hand on Hanks shoulder, lightly, yet it seemed to sink into Hanks skin. "I won't wish you good luck; luck is for fools. But I wish you well, Henry."

He had left while Hank had stood there, silent and helpless and wanting to yell, "Wait! I need you. Teach me more."

Annie put her cup down with a clatter, jarring him back to the present. He thought he could see danger in her eyes. "If this is our last lesson, then you need to do something for me."

"What's that?"

"Play your violin."

He forced himself to smile as he refused.

Annie smiled sweetly in return. "I'm not letting you refuse. You are going to play for me. All this time I've known you and all you've done is demonstrate scales on my violin."

"Maybe I don't know how," he kidded. "Maybe you've been taking lessons from a fraud."

"A fraud who knows the instant I make a mistake, and how to correct it." She stooped and reached under his bed. "A fraud with his own violin."

She took the violin out of the case and placed it in his lap. He looked at it, and then at her. "Annie…"

She returned his gaze, unwavering.

"Look, I don't play like you do. I used to, but I can't anymore. I'm mediocre at best."

She continued to look at him. "Did you ever play for Ginny?"

He raised his eyebrows, wondering how her mind worked. "Once. A long time ago. It was the most beautiful song I ever played." The words sounded stark and meaningless even to him.

"You loved her."

It wasn't a question, but he answered it anyway. "I don't know."

She looked at him a moment longer, then picked up her own violin. "Play with me, if you won't play alone," she said, and began one of her swooping, impromptu songs, the notes jingling off the bow like so many smiles, the kind of melody that couldn't help but make you happy.

Grinning, Hank put his violin to his chin and began to accompany her, his fingers moving instinctively. This wasn't music, it was one of their silly conversations, or the sweet cake they ate with their tea. But slowly the song changed, becoming deeper and realer until he began to falter, consumed by the undertow of Annie's talent. When she glared at him over her violin, however, as fierce as Mr. Luckley ever was, he felt compelled to keep trying and he turned himself over to her. He felt like a puppet connected to her by his violin strings; she was giving him his cues as surely as though she were moving him herself. Their music joined together, two streams converging, and he was overcome by the current of it, washing over him at such a rate that he would have been swept away but for Annie's steadying pace. This was music, this was real, and his heart was ready to burst, but he had to keep playing or else fall behind and drown.

He didn't know how long they played, or how they stopped, only that he was completely drained when they did.

"Was that the most beautiful song you ever played?" Annie asked softly.

"It was your song," he managed to say. "Not mine."

Something changed in her face, and she put her violin away and got up. "Thanks for teaching me, Hank," she said, her voice distant and flat, and she stuck her hand out. He shook it mechanically and felt a piece of paper slip into his palm. He looked at it a long time, then looked at her.

"I have a cousin who works at Blackmoor," Annie said, her voice still dull. "I had her ask around. Your Ginny is in Boston; there's the address. Are you going to chase after her?"

He didn't say anything.

"You should, I suppose. But you don't have to go chasing after old memories to find happiness. That was you playing the violin a minute ago, even if you're too much of a dolt to know it."

Her eyes were flashing, and she shook her head at him one last time before striding out the door.

He stared at the address, holding Ginny in his hand and then placing her gently on the table. He was still clutching his violin in his other hand and he sat for a moment trying to absorb the silence and the events of the afternoon together.

He brought the violin back to his chin, remembered the long-ago golden evening, and began to play. He thought it was Ginny's song, though he wasn't sure. Whatever it was it was beautiful, and he began to cry years of unshed tears because the music was his again and he could feel it pulsing through his body.

He could have played all afternoon, reclaiming his lost prize, but he cut himself off midnote and laid the violin down. He had his priorities, after all, and the music could wait. He reached for the slip of paper with Ginny's address, folded it four times, and placed it in the wastebasket. Then he walked out of his room and onto the street, knowing that if he hurried he could catch Annie.

By Valerie Hunter

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Friday, January 19, 2007

Race Against Terror

As Greece prepared to host the 2004 Olympics, a terrorist group called November 17 held Athens in its violent grip. It had to be stopped before the Games could begin

On December 23, 1975, Richard S. Welch, the C.I.A.'s Athens station chief, and his wife, Cristina, left a Christmas party at the American ambassador's sprawling residence, near the U.S. Embassy. Their driver steered the Ford sedan through the jasmine-scented night toward their villa, in the residential suburb of Paleo Psychiko.

Welch, a slight, balding, tweedy 46-year-old with a thin gray mustache, was a Harvard-educated classicist who looked more like a professor than a C.I.A. agent. At the high-spirited embassy party, he had chatted amiably with his fellow American expatriates. If Welch was concerned that an Athens newspaper had recently printed the names and addresses of top C.I.A. officials in Greece, he didn't mention it. But he left at 10 P.M. — an early hour for Greece.

When his driver pulled up outside his two-story stucco villa, at 5 Vas. Frederiki Street, which had been home to every C.I.A. station chief before him, Welch didn't notice a green Simca following them. He was getting out of the car when someone called out in Greek, and he turned to see three masked men approaching on foot. Neither Mrs. Welch nor the driver noticed that a fourth person, sitting in the Simca, had the slender build and fine features of a woman. Gunshots punctured the silence, and Welch fell to the ground as the attackers ran back to their vehicle, which sped away.

Mrs. Welch ran to the nearby home of her husband's deputy, screaming, "They've shot Dick!" Richard Welch was dead by the time help arrived. The three Welch children spent Christmas Day preparing for the funeral of their father.

Welch's assassination was the start of a wave of bloodletting that for the next 27 years turned Athens and its suburbs into a war zone. Twenty-three men were murdered by guns, car bombs, missiles, and bazookas — five of them American, one British, two Turkish, and the rest wealthy Greek businessmen or prominent politicians of the conservative New Democracy Party.

The terrorists who perpetrated these crimes called themselves November 17, after the date in 1973 when students staged an uprising against the junta that ruled Greece from 1967 to '74. After the Welch killing, the group sent a statement full of Marxist rhetoric to three Greek newspapers and the new leftist French paper Libération, in Paris. (An editor of that paper was told to go to the home of Jean-Paul Sartre to pick up the document.) But none of the newspapers published the statement, suspecting that it came from a fringe group eager to falsely claim credit for the crime.

A year later, when members of the group assassinated a former police commander under the junta, the same papers received a second proclamation, and printed both. These statements would become a hallmark of November 17, which would operate for nearly 30 years without a single arrest. Their goal was to inspire an anti-capitalist popular uprising against Greece's ruling classes by showing that agents of the "Western imperialists who propped them up" could be attacked without fear of consequences.

The terrorists eventually felt so invulnerable that they began taunting the police. After two killers rode motorcycles through central Athens carrying a three-foot assault rifle, a jeering letter was sent to the newspapers: "We circulate under their nose with a weapon that is visible from a kilometer away." Members of November 17 fired rockets at foreign companies, set off bombs at embassies and hotels, stole bazookas from the Athens War Museum, and raided a military base to seize weapons, later sending Greek newspapers a photograph of the armory they'd accumulated, arranged in front of a red-and-yellow "17N" flag.

With one brazen attack after another, November 17 achieved mythical status in the land where myths and legends began. But as the 20th century neared its end, the terrorists threatened Greece's opportunity to reclaim its most cherished tradition — the Olympic Games. Greece, where the Olympics were born, in the eighth century B.C., had never hosted them officially since they were revived, in 1896. Then, in 1997, after decades of trying, Athens finally earned the right to hold the Games, in the summer of 2004.

But with November 17 making a joke of law enforcement, how could anyone feel safe at the Athens Games? No one could forget the massacre of 11 Israeli athletes by Palestinian terrorists at the Munich Olympics, in 1972. "Can the Greek government assure American and British athletes and visitors that November 17 won't be part of the welcoming committee in 2004?" asked former C.I.A. director James Woolsey, in a New York Times article. "If they offer those assurances without breaking the group, how much are those assurances worth?"
"Into the Lion's Den"

In 1999, Greek prime minister Kostas Simitis was forced to replace three members of his Cabinet who had participated in a bungled effort to hide a wanted Kurdish rebel leader. One of them was the minister of public order, in charge of security for the Olympic Games.

To fill this hot seat, Simitis turned to a young politician who had no experience in law enforcement-44-year-old Michalis Chrisohoidis. An intense, twice-divorced lawyer who had grown up on a small farm in northern Greece, Chrisohoidis had been elected to Parliament at the age of 34 and had worked under Simitis, an economist, in the Ministry of Trade and Industry.

At first, Chrisohoidis was not eager to accept his former boss's offer. "I asked him bluntly, 'Why are you throwing me into the lion's den?,'" Chrisohoidis recalls. "He replied that we had to eradicate terrorism in Greece before the Olympics or see our country humiliated before the world. This just increased my anxiety, because terrorism had been a priority for all administrations in the last 25 years, but not one member of November 17 had been arrested or even identified."

Chrisohoidis had vivid memories of 1989, his first year in Parliament, when his fellow M.P. Pavlos Bakoyannis was killed as he entered his office building. Struck by six bullets, Bakoyannis managed to stagger into the building, leaving a trail of blood until he collapsed and died.

At the time, Bakoyannis's father-in-law, New Democracy Party leader Constantin Mitsotakis, had just secured a major victory in national elections. Bakoyannis's young widow, Dora, won her dead husband's seat in Parliament and took the lead in passing tough new anti-terrorism legislation. When her party lost power, in 1993, the new, socialist PASOK government immediately repealed the law, but she continued to speak out against her husband's assassins. "The long struggle to turn Greek public opinion against November 17 … began with the killing of my husband," says Dora Bakoyannis, now the Greek foreign minister.

International criticism of Greece for not making any progress against November 17 had been building since 1989. The headlines in the U.S., whose citizens had been targeted as agents of imperialism, included the following: GREECE: CLIMATE FOR TERROR (The Washington Post); GREECE, HAVEN FOR TERRORISTS (The New York Times); GREECE: SANCTUARY OK INTERNATIONAL TERRORISM (Reader's Digest). After Welch's killing began the reign of terror, November 17 killed 4 more Americans and wounded more than 100.

On November 15, 1983, U.S. Navy captain George Tsantes, 53, the chief of the Joint United States Military Assistance Group, Greece, and his Greek-American driver, who was taking Tsantes to work, were ambushed at 7:30 A.M. Two men on a scooter, their faces covered by crash helmets, pulled up alongside the car at a traffic light and fired four bullets into Tsantes and three into his driver.

"It was a terrible loss for us," Tsantes's daughter, Stephanie, would tell a Greek court 20 years later. "When I returned home, my mother was curled [on the floor], crying hysterically. Even today she's so afraid of this country that she doesn't dare to travel here."

On June 28, 1988, U.S. Navy captain William Nordeen, 51, who lived in the suburb of Kefalari, kissed his wife good-bye and walked out to his car. As he drove past a Toyota sedan parked down the street from his house, a bomb in the Toyota exploded, setting his car on fire and hurling his body into the yard of a deserted villa 45 feet away.

On March 12, 1991, as U.S. Air Force sergeant Ronald Stewart, 35, was walking near his home, in the seaside suburb of Glyfada, a bomb in a parked car was detonated by remote control, blowing off both his legs. He was taken to a hospital and bled to death on the operating table. He had been due to return to the U.S. in two weeks. Stewart was a purchasing agent for the military hospital in Athens and had nothing to do with military operations, but, as the head terrorist told one of his assassins, "even the small fry are to blame."
"What Took You So Long?"

That no one was arrested in connection with any of these attacks was not necessarily proof of the terrorists' criminal genius. According to a report compiled later by the U.S. Embassy in Athens, the Greek police officers who first arrived at the scene of Stewart's murder "demonstrated an egregious lack of adequate crime scene presentation/protection … and collection protocol by evidence technicians."

One of the first things Chrisohoidis did as minister of public order was to call for all the files on November 17 crimes and summon the man who had been in charge of the anti-terrorism unit in the national police: Fotis Nasiakos, a short, stocky 47-year-old, with unruly salt-and-pepper hair, a florid complexion, and the tense restlessness of a veteran field commander.

Nasiakos had spent 15 years in the anti-terrorism unit, three of them as chief, trying to make headway against November 17, but he had received little support from his superiors in the police or from the revolving cast of politicians in the ministry.

"When I met Fotis for the first time, I saw a man who was demoralized," Chrisohoidis recalls. "He put some bound papers on my desk and said, 'I know you're going to replace me in the next round of promotions, but before I go I want to leave this report with you so all my work doesn't come to nothing.' I read the report and saw that it was a comprehensive overview of November 17 attacks, with some telling insights." Even though Nasiakos didn't belong to Chrisohoidis's party, the minister kept him as chief of the unit and told him to have the intelligence section pursue the leads in his report.

"We don't have an intelligence section" came the response. So Chrisohoidis ordered Nasiakos to set one up.

To head the new section, Chrisohoidis and Nasiakos chose an earnest detective named Fotis Papageorgiou, whose dark hair, broad face, and penetrating brown eyes behind half-rimmed glasses gave him the appearance of a thoughtful Russell Crowe. Computer-savvy, with a keen memory and a passion for details, Papageorgiou, then 39, was assigned to pore over clues from November 17 attacks, make connections, and report his findings to Nasiakos.

At about the same time, the special prosecutor assigned to the anti-terrorism unit asked to be transferred. In his place came 44-year-old Yiannis Diotis, an Athens-trained lawyer with a halo of gray hair, a boxer's nose, and perpetually frowning eyebrows. Diotis had served in the post once before and was eager for another chance to build a case against November 17.

This new team — the minister, Chrisohoidis; the anti-terrorism chief. Nasiakos; the head of intelligence, Papageorgiou; and the special prosecutor, Diotis — soon began to transform the campaign to bring down November 17. "Until they took over, each crime had been investigated separately and then tucked away in a file when no progress was made," says U.S. undersecretary of state for political affairs R. Nicholas Burns, who was then ambassador to Greece. "They began to look at November 17 in a comprehensive way for the first time."

A study of the files revealed, among other things, that November 17's typed proclamations frequently alluded to France, echoed the thinking of French radicals, and were first sent to a French paper. Following up, Chrisohoidis asked Nasiakos to compile a list of activists based in Paris during the junta years and to find out what they had been up to since then. Working closely with Papageorgiou's intelligence unit, Nasiakos came up with some 250 names. "We tracked down all of the names except one, says Papageorgiou. "All had returned to their pre-junta interests and were easy to locate — except for Alexandros Giotopoulos, who had vanished."

Chrisohoidis decided to go to Paris and speak to the head of France's anti-terrorism unit. When he got there, the first thing the French official said was "What took you so long to come to us?"

The French described Giotopoulos as six feet two inches tall, with incipient jowls, inquisitive blue eyes, and a genial manner that could turn instantly to cold hostility. He was born in Paris in 1944, the son of a Greek Trotskyite who opposed the uprising of Greek Communist guerrillas in the late 1940s. Alexandros Giotopoulos would strive to erase this blot on his family's Marxist credentials by becoming the biggest radical of all. Even among the Greek leftists who spent the junta years plotting revolution in the smoky cafés of Paris's Left Bank, Giotopoulos stood out both for his height and for the ferocity of his plans.

"The first mention [of Giotopoulos] in our own files was in a junta case tried in Thessaloniki in 1971," recalls the former anti-terrorism chief, Nasiakos. "He wasn't at the trial, because he had fled to Paris, and his name was misspelled as 'Alexandros Yiatropoulos,' but he fit the description of the tall assassin mentioned by witnesses in several killings." In one instance, a victim lived long enough to say, "The tall one got me."

French files showed that Giotopoulos had been picked up by Paris police in 1971 for carrying false documents, but was released and disappeared. Informants reported that he had gone to Cuba to study with the Tupamaros, an urban guerrilla group founded in Uruguay that engaged in political assassinations, including the kidnapping and murder of F.B.I, agent Dan Mitrione, dramatized in the film Stale of Siege.

That struck a chord with Greek investigators, because the influence of the Tupamaros was evident in the November 17 flag — a yellow star with "17N" in its center against a red background. The Tupamaros' flag includes a red diagonal band with a yellow star in the middle and a black T in its center.
Shattering the Myth

With the anti-terrorism unit now on track, Chrisohoidis felt confident enough to move Nasiakos out of it and make him chief of the national police. His replacement as anti-terrorism chief was Stelios Syros, a street-smart veteran of the homicide bureau. A never-married workaholic, Syros used the sources he had developed during two decades in the criminal and anarchist underworld of Athens to gather names of suspected November 17 assassins.

Syros's efforts were complicated by the consensus among Greeks that November 17 couldn't be stopped — certainly not by Greek police or the Greek government, which, it was widely believed, were not even trying to capture them. In one incident, in 1991, police were told to look for November 17 assassins lurking in a van near Kolonaki, the fashionable square where stylish Athenians crowd the outdoor cafés. The police tailed the van until the occupants opened the back door, revealing that they were heavily armed. The police commander immediately called off the pursuit, saying later that he didn't want to instigate a gun battle that would likely kill innocent civilians.

Eyewitnesses to November 17 murders were afraid to testify, because the police were powerless to protect them. One passerby who saw the May 28, 1997, killing of young Greek shipowner Costas Peratikos, in Piraeus, appeared on the evening news to describe the scene. Two days later, the witness found his car torched.

Even worse for the anti-terrorism team, many ordinary citizens considered the terrorists to be heroes — assassinating rich capitalists and Western diplomats whose countries they blamed for Greece's political turmoil and for Turkey's 1974 invasion and partial takeover of the Greek island of Cyprus. Graffiti throughout the nation demanded, AMERICA OUT OF GREECE and DEATH TO THE IMPERIALISTS.

The November 17 assassins carefully cultivated their heroic image. Their proclamations tried to justify their killings but never mentioned the banks they robbed to support themselves. (Over 25 years, the group stole some $2 million, none of which has been recovered.) When they killed Greeks, they left statements on the scene, but when they killed foreigners they took days to issue them, because they often picked their victims at random and knew nothing about them. They would wait to get the details from news reports.

The first November 17 murder on Michalis Chrisohoidis's watch occurred on June 8, 2000. British defense attaché Brigadier Stephen Saunders was driving on Kifissias Avenue when two November 17 members pulled up on a motorbike. The man sitting behind the driver of the motorbike pumped several bullets into Saunders's abdomen.

Chrisohoidis rushed to the hospital where Saunders was being treated. "When the surgeon announced his death to Mrs. Saunders, describing the damage the eight bullets had done, she collapsed," Chrisohoidis says. "I was in shock but also very angry."

Chrisohoidis vowed that the Greek reaction to Saunders's murder would be very different from those in the past. "We made certain that everyone in the government condemned the killing," he says. "We encouraged the media to show the impact the murder had on the Saunders family. Then we held two memorial services and invited politicians from all parties to attend, which they did in huge numbers."

"The strong reaction to the Saunders murder was pivotal," says Sir David Veness, who was sent to Athens by Scotland Yard in the aftermath of the killing. "It allowed Michalis Chrisohoidis to accomplish three essential things: to make his own people in PASOK stop appearing to support radicals, to break the taboo of his government against seeking help from foreign agencies, and to undermine the support November 17 had with the public."

If the Greek public needed another reason to change its attitude toward November 17, it came with the close of the 2000 Summer Olympics, in Sydney. Suddenly, the world looked toward Athens, wondering what would happen when the Games opened there four years later. International opinion was not optimistic. A May 2000 article in Time began: "Twenty terrorist attacks against American targets in a 12-month period; a combined 40 strikes on U.S., French and British holdings; 52 anti-American protest marches, seven rocket attacks…. The country in question isn't Afghanistan or Iran. It's Greece."

Shortly after the national elections in October 2000, in which the Simitis government retained power by a slim margin, Chrisohoidis went on television to denounce November 17. On December 21, the families of the victims formed a group called Os Edo-or "No More." The group was headed by Costas Peratikos's father, Michael; the family of Pavlos Bakoyannis; and Dimitri Momferatos, whose father, a publisher, had been murdered.

The killing of Saunders and the activities of Os Edo provoked national shame and caused a sea change in Greek public opinion. The shift moved the Simitis government to push a strong new anti-terrorism law, which was finally adopted in 2002. "The law was crucial," says Yiannis Diotis, the special prosecutor. It allowed DNA evidence to be used in court for the first time, made being part of a terrorist organization a crime, provided for witness protection and lenient sentences for cooperating criminals, and called for terrorists to be tried by a panel of judges without jurors. "In previous trials of violent radicals, jurors participated and in most cases they were too frightened to convict anybody," Diotis says.
An Explosive Lead

With the opening ceremony of the Athens Olympics now just two years away, November 17 was lying low. Chrisohoidis and his team knew they had to do something to make the terrorists show their hand. In mid-June, they decided to leak a false report that the leader of November 17 had been identified and that multiple arrests were imminent.

It worked. "The break we had been hoping for finally came," says Chrisohoidis, "and when it did, all the policies we had put in place began to pay off so well and so quickly that it left even us stunned."

Savas Xiros, 40, a tall, swarthy, baby-faced man who made a living as a painter of religious icons, was walking by Piraeus harbor on the evening of June 29, 2002, carrying a heavy black bag. The contents of the bag were not religious icons but a gun, a grenade, and the components of a homemade time bomb. Xiros was to assemble the bomb and place it near a ticket office of the Minoan Ferry Lines, which had recently been accused of negligence after one of its ferries sank in calm seas with 500 people aboard, killing 82.

Police believe that the leaders of November 17, suffering from the loss of public support and perhaps fearing that the authorities were closing in on them, had decided that an attack on the ferry company would restore their image as freedom fighters avenging Greek citizens against heartless capitalists.

Xiros was an explosives expert and had been involved in the car bombings that killed Captain Nordeen and Sergeant Stewart. He usually used European-made timing devices, but this time he used a Chinese clock. As he assembled the bomb, it blew up in his hands with a thunderous explosion. Witnesses reported seeing an accomplice running from the scene as Xiros lay in a spreading pool of blood.

According to Yiannis Diotis. "The last three fingers of his right hand were blown off and shrapnel hit him all over his upper body, slashing his eyes, breaking the tympanic drum in one ear, and smashing into his chest, causing one lung to collapse. The last was the worst of his injuries, and he could have died." Savas Xiros was unconscious when an ambulance took him to Evangelismos Hospital, and he remained so for four days. But without saying a word, he provided Michalis Chrisohoidis's team with enough information to begin the dismantling of November 17.

At the suggestion of Scotland Yard. Chrisohoidis sent a photograph of Savas Xiros — taken from the ID card found in his pocket — to Greek newspapers and television channels, requesting that anyone recognizing the suspect call a special phone number where they could speak in complete anonymity.

Immediately people began to call in with information. "After a 24-year drought of any hard evidence, information started coming at us like a flood," says Chrisohoidis. One woman called to say that she had seen the man in the photo entering a rented first-floor apartment near her own on Patmos Street in Kalo Patissia, a working-class neighborhood of Athens.

The police had found a set of keys on Xiros and a .38-caliber handgun in the street near his body. Chrisohoidis gave the gun to his forensic staff, who determined that it had been used to murder a policeman during a November 17 bank robbery. A senior officer of the anti-terrorism unit took the keys to the address on Patmos Street, then called Chrisohoidis from inside the apartment: "Oh my God!" the officer said in a shaking voice. "You won't believe what's in here — guns, knives, grenades, rockets, a November 17 flag."

A squad of police forensic experts closed off the area and examined the apartment in detail. Along with the weapons, they found the typewriter that had produced all the manifestos and a computer with several disks outlining plans for future attacks.

Three days later, acting on information they had found in the hideout, the police raided a second safe house, at 73 Damareos Street, in the middle-class Athens area of Pangrati. There they found more weapons, documents, and manifestos bearing the fingerprints of a man they believed to be November 17's founder, leader, and chief assassin — Alexandros Giotopoulos.

Meanwhile, the police took fingerprints from the intact hand of the unconscious icon painter and matched one of them to a fingerprint found on a blue plastic bag that had been left in an abandoned getaway car used in the killing of Costas Peratikos, in 1997.

On his fourth day in the hospital, still blind and attached to tubes and a heart monitor, Savas Xiros realized as he faded in and out of consciousness that there were two men sitting next to his bed: Yiannis Diotis and Stelios Syros. They soon established a good-cop-bad-cop M.O. that would prove very effective.

"Stelios Syros was the spark plug," according to a former official in the antiterrorism unit. "He's not a man to draft lengthy reports, but he can walk into a room, look over a suspect, and with a few minutes of chatter know what his weaknesses are. He can shift smoothly from stern father figure to concerned friend to tough cop to patient psychologist as the situation warrants. Syros got so close to Savas that Savas said at one point during the 50 days he was in the hospital, 'I love Stelios more than my father.'"

Diotis, by contrast, at one point angered Xiros so much that he refused to speak for days. But the prosecutor also engineered a clever legal maneuver. Under Greek law, anyone in detention must be charged within 24 hours or released. If the police filed charges against Xiros, his accomplices would read about it in the papers and scatter.

Diotis decided that Xiros was not under arrest at all. "He was coming in and out of consciousness, so how could we charge a man who was in no condition to understand the charges?," Diotis asks, shrugging innocently. "So I decided to hold him as a material witness, not as a suspect, which gave us the opportunity to question him without the need to charge him and alert everyone to what he was saying." As he came to, according to Diotis, the first thing Xiros heard was the prosecutor telling him, "We know you're November 17, and we've got the evidence to prove it."

As Diotis recalls, Xiros sighed and nodded. "I know where I made my mistake," he said. "It was the blue plastic bag that I left in the car." He admitted he had been involved in Costas Peratikos's murder. This was the biggest breakthrough in the 27-year investigation of November 17, and the team celebrated with whiskey and cigars.

Syros and Diotis did not leave Xiros's side as he recuperated from his wounds and underwent a delicate operation that restored his sight in one eye. Police say Xiros confessed to having taken part in additional murders — those of Nordeen, Stewart, and Saunders — but he would not give up his November 17 comrades, providing only pseudonyms and false physical descriptions. (He later recanted his confession.)

Xiros had nine siblings — five brothers and four sisters. His father was a priest from the island of Ikaria. His mother, Mashoula, was such an ardent Marxist that everyone called her Moska ("Moscow" in Greek), a high-ranking police official says.

As soon as news of Xiros's accident hit the front pages, he was visited at the hospital by his father and his brother Christodoulos Xiros, 44, a hulk of a man who was a maker of musical instruments. To the television reporters clustered outside the hospital door, the pair expressed shock at Savas's accident. Barred by the police from entering his brother's room, Christodoulos shouted, "Stay strong, Savas!" Inside, Diotis and Syros immediately started asking Savas about Christodoulos's role in November 17.

On July 16, Christodoulos returned to the hospital and was arrested. That same day, Fotis Papageorgiou was dispatched to Thessaloniki, in northern Greece, to seize the Xiroses' younger brother Vassilis, 30, a wild-eyed, unkempt shepherd and sometime motorcycle mechanic.

Although Savas was reluctant to betray his accomplices, the police say, Vassilis spilled everything. "Once we got to Vassilis, we had it," recalls Papageorgiou. "He told us how he helped kill Saunders, [and] identified everyone he could by their rightful names. It was something! The kid can barely write his name, a real simpleton, but he gave up everyone he knew. When giving us his statement, he paused and asked, 'Is this going to take much longer? If I don't milk my goats, they're going to burst.' He thought after admitting to all those killings he would go back and milk his goats!"

Back in Athens, Diotis was questioning Christodoulos. "With what we had from Vassilis and Savas, Christodoulos didn't take long to start talking," Diotis recalls. "He's the most vicious killer of the three. He laughed as he told about all the people he killed."

As the Xiros brothers talked, officers from the anti-terrorism unit fanned out, arresting eight more members of November 17. For nearly a month after Savas blew himself up, the five-man team worked around the clock. In the evening, they would meet in the office of Michails Chrisohoidis, who would bring out a bottle of good malt whiskey and order food from La Strada, a nearby Italian restaurant. They would smoke and talk nearly all night, discussing strategy and piecing together information about the terrorists who were still at large.

"My wife kept a record, and in one 18-day period I went home to sleep for a total of 18 hours," says Papageorgiou. The workload even prevented Nasiakos from spending time with his wife after she was diagnosed with a serious illness. "She's had health problems ever since," he says. "I worked hard, but she paid the price."
The Biggest Fish of All

Confessions and arrests were coming so fast that the police could hardly keep up. But one man, Alexandros Giotopoulos, remained at large, and there was no clue to his whereabouts. Then Savas Xiros. still in the hospital, let a name slip.

Xiros had told Diotis and Syros that the leader of the group was known only as O Psilos — the tall one — or by his pseudonym, Lambros. Exploiting the bond he had built up with the wounded terrorist, Stelios Syros asked Xiros to tell him anything he could remember about Lambros. Xiros recalled that once, when he drove Lambros to a ferry in Piraeus, someone had called out the name Michalis and the boss had turned around.

Diotis jumped in, asking what Lambros/Michalis was doing taking a ferry from Piraeus. He had a summer home somewhere on an island near Paros and Leros, Xiros replied. He didn't know where, but he remembered parking the car on the Piraeus-Patmos-Leros ferry in a space reserved for the next-to-last stop. The investigators quickly determined that this stop was on the tiny island of Lipsi.

Xiros provided this scrap of information on July 16, the day his brothers confessed. The investigators knew that the next day's headlines might cause Giotopoulos, wherever he was, to disappear yet again. If he left Greece, they would never find him.

Nasiakos immediately called the police station on Lipsi and learned that it was staffed by two officers and that one was away, leaving a 25-year-old named Socrates Sioris as the only lawman on the island. Nasiakos asked Sioris if he knew of any Lipsi residents named Michalis.

"There's a Michalis Economou who has been battling the mayor over the color of his house," the young officer replied. "There's a rule here that all island homes must be white, but he insisted on painting his pink."

"Is he still there?"

"Yes, I saw him today."

Nasiakos asked Sioris to find out if Economou had made any reservations on the ferry. He warned that the man might have his own way of leaving perhaps on a private boat — and that if he did slip away, as he had done before, the entire campaign to stop November 17 would be lost.

'I started to panic." Nasiakos recalls. "Here we had finally located the leader of November 17 and the only one close to him was one novice police officer. But he turned out to be a palikari [brave lad] with great instincts, who checked the reservation list for the next day's ferry and found it included a Michalis Economou. It was too late for us to send officers from Athens, so our only options were Socrates and the four officers from the nearest island. Leros.

"On the following morning, the Athens ferry went only as far as Leros, and a local ferry went to Lipsi to pick up passengers for it," Nasiakos continues. "I told the Leros officers to go on the local ferry and when they got close to Giotopoulos, if he made any sudden move, to just push him into the sea because we didn't know what weapons he might be carrying — guns, grenades, explosives.

"When the local ferry landed on Lipsi, the four officers were on it, wailing, and Socrates came behind Giotopoulos as he stepped on the boat. They grabbed him in a sandwich and brought him down on the deck."

Fotis Papageorgiou hopped on a helicopter commandeered from the fire department and flew to Leros to reel in the biggest fish of all. "When I got to the police station on Leros," Papageorgiou says, "I saw that they had Giotopoulos lied to a radiator -hands, feet, chest — really secure.

"'Hello, Alecko,' I said to him, He looked at me contemptuously and snarled, 'You're a lackey for the Americans. What kind of Greek are you to let yourself become such a stooge?'

"I let him have it: 'I didn't bring the Americans or the Brits or the French. You did with your pointless killings. Now we have F.B.I., C.I.A., S.A.S. [Britain's special forces], foreign agents everywhere we turn, and you're the one responsible, not me.'"

This outburst took the wind out of Giotopoulos's sails. He slumped, defeated, and whined, "I know what you're going to do with me. In a week I'm going to be in Guantánamo," Papageorgiou recalls.

"That's what he was most afraid of," the intelligence chief remembers. "He still is. They all are."

Giotopoulos was brought hack to Athens and held in isolation. Of all the suspects arrested up to then, only Giotopoulos consistently maintained that he had nothing to do with November 17.

Investigating Giotopoulos's background, the team learned that for more than 30 years he had been using the alias Michalis Economou (taken from an early Greek Communist leader), which was printed on a forged identity card made for him by Savas Xiros. As Economou, he posed as a professor and book translator.

"He got into a university [in Paris] but never got a degree," says Diotis. "We did such a thorough check on him that we found out that he forged a high-school academic award he later boasted about. When I questioned him and mentioned the forgery, he was floored. Later he charged that we had used illegal methods to intrude into his private life. He's a piece of work!"

Both of Giotopoulos's residences, the illegally pink house on Lipsi and his Athens apartment, were registered in the name of his longtime companion, a Frenchwoman named Marie-Thérèse Peynaud. The investigating team called Peynaud in for questioning, but. like Giotopoulos, she firmly denied knowing anything about November 17. "She's very hard, very cool." says Nasiakos. "When we first brought her together with Giotopoulos, she was shocked about the charges against him and feigned ignorance that she even knew his real name. 'Michalis,' she said, 'why are these people calling you Alecko?'"

Peynaud signed a statement (or the police saying she had met Michalis Economou in Paris in 1973 and developed a relationship with him. "We usually met at cafés in the Latin Quarter district where students gathered." her statement read. She said she had accompanied him to Greece "at Christmas of 1975 and stayed for 15 days." which would have put her in the country at the time of Welch's murder. Four years later, she moved to Greece permanently to live with Michalis and eventually found a job at the Greek-French school in Athens. In 1993 she bought a second home, in Lipsi.

Peynaud, who retired after 18 years of teaching when she learned she had cancer, did not always have a smooth relationship with Giotopoulos. While living with her, according to information given to Greek police, Giotopoulos began a relationship with another woman — a teacher at the same school who was 14 years younger than Peynaud. According to what the younger teacher told police, her affair with Giotopoulos began in the early 1990s, and he went to live with her for four months after Peynaud found out about the relationship.

"Giotopoulos loved three things: women, lobster, and cigars." says Papageorgiou. "When I arrested him in Lipsi, he was carrying a small hag that had five cigars in it, and when he saw me searching it he shouted, 'Don't take my cigars.'"

Giotopoulos's capture led to even more arrests. "When you count the number of defendants along with the criminal acts they committed," says Diotis, "it turns out that in a period of one month we completed more than 1,000 criminal investigations. That has to be some kind of record, and not just for Greece."

One of those arrested was Pavlos Serifis, a balding, bespectacled hospital worker with a thick mustache and a receding chin, who turned out to be one of the original members of November 17 and one of the tour involved in the killing of Richard Welch.

In his confession, Serifis stated that the others involved in the Welch murder were his cousin Yiannis Serifis, Giotopoulos, and a woman he referred to as Anna. "She must have been about 30 years old at the time, tall, around live feet seven inches, blonde, good-looking, and well educated." he stated.

Pavlos Serifis did not divulge Anna's identity in his confession. Yiannis Serifis and Peynaud have denied any involvement with November 17, and Peynaud has not been charged with any crime.
"A Creek Achievement"

A month and a day after Savas Xiros became the first November 17 member in custody, nearly every suspect had been arrested. But there was still an important leader at large. A dark, balding, bearded man with the sad eyes of a Byzantine saint, Dimitris Koufodinas was a beekeeper and seller of honey. He was also believed to be November 17's head of operations. Giotopoulos would select the victims, and Koufodinas would arrange the attacks. Despite a nationwide hunt. Koufodinas was nowhere to be found. But on September 5 he turned himself in.

Koufodinas, who had been living with the former wife of Savas Xiros, told police he was shocked and disappointed at Giotopoulos's disavowal of November 17. Koufodinas said proudly that he considered the assassinations political acts of resistance against exploiters of the Greek people.

"Koufodinas took full responsibility for his actions," says Nasiakos.

"But he did not say what actions and what his role was in them." Diotis interjects, "only that he was a member of November 17 and he took political responsibility for it."

"And he also said that November 17 was now finished." adds Papageorgiou.

Although some later retracted their confessions, almost all of the suspects were convicted of multiple murders in a trial that ended almost a year before the Olympics began. Most received multiple life sentences. In Greece, however, a life term is limited to 25 years, and "lifers" are eligible for parole after 16 years, even those convicted of murder. Those sentenced to multiple life terms can apply for parole after 20 years.

The killers of the four Americans may be released from prison in 17 years, or even earlier on medical grounds, something that does not please Diotis. "Savas has threatened to kill me when he gets out. and I'll only be in my late 60s then," he says, noting that he travels with bodyguards wherever he goes even now.

Another disappointment is that Richard Welch's assassination was not even mentioned during the trial, because in Greece there is a 20-year statute of limitations on all crimes, including murder.

Alexandros Giotopoulos. who Pavlos Serifis said pulled the trigger on Welch, received 21 life sentences for other murders he had committed. Serifis. the lookout on the Welch murder, was given 8 to 15 years for his involvement in other killings, hut he suffers from multiple sclerosis and is being permitted to spend his confinement at home.

While his cousin Yiannis could not he tried for the Welch murder, he was tried under the new law forbidding membership in a terrorist organization, as was Koufodinas's girlfriend, whose prints, police alleged, had been found in a November 17 hideout. Both were acquitted, but their cases are currently being re-heard by an Athens appeals court along with those of all the other defendants.

As for the anti-terrorism team, only Papageorgiou remains in place, as head of the intelligence section. Nasiakos retired from the police force. Stelios Syros was promoted to deputy chief of the national police, and Diotis was reassigned to cases involving antiquities smuggling.

The fact that Yiannis Serifis and "Anna," whom Pavlos Serifis implicated in the Welch case, are walking around free does not please Michalis Chrisohoidis, who was re-elected to Parliament in 2004 but had to give up his post as minister of public order when PASOK lost to the New Democracy Party. Still, he believes that both could be convicted of November 17 crimes that fall within the statute of limitations. "My group would have done it if we hadn't lost the election." he says. "It can still be done."

"We haven't closed the books on anyone," says his successor. Byron Polydoras. Undersecretary of State R. Nicholas Burns has another warning for November 17 assassins: "Greece may have a statute of limitations on murder, but the U.S. doesn't."

What is certain is that November 17 is "finished." as Dimitris Koufodinas declared. If you consider how long and how freely its killers operated, that's a remarkable accomplishment for the men who brought about its destruction.

"It was a Greek achievement," says Tom Miller, the U.S. ambassador from 2001 to 2004. "We all helped the Brits, the French, our agencies — but the credit for dismantling November 17 belongs to the Greeks: to Michalis Chrisohoidis and his team. What they did was not only to end the reign of the most enduring and brutal terrorists in Europe, but to ensure a successful Olympic Games in 2004."

"If we had not stopped November 17," notes Yiannis Diotis, "and a few months before the Olympic Games began they had fired a rocket at one of the venues, how many would have risked coming to the Olympics in Athens? Would the 2004 Olympics have been held at all?"

Pavlos Bakoyannis managed to stagger into the building, leaving a trail of blood until he collapsed and died.

"Oh my God!" the officer said. "You wont believe what's in here — guns, knives, grenades, rockets, a November 17 flag."

"I told the officers, if [Giotopoulos] made any sudden move, to just push him into the sea," says Nasiakos.

"Savas [Xiros] has threatened to kill me when he gets out, and I'll only be in my late 60s then," says Diotis.

By Nicholas Gage, Vanity Fair, Jan2007 Issue 557, p64, 9p

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